For my Materialistic Ideas, I want to focus on the idea of multiples
and possibly using lights to amplify shadows. I really want to revisit a piece
from a long time ago. It was basically a roman/Greek popup book. I cut out
almost every picture in the book and made it feel like it was coming alive. I
want to take this idea and make it larger and fill it will a considerable amount of insects, coming out of one central spot, whether that be from a book or a
crevasse. I want my viewers to feel overwhelmed because of the fact that for every 1 human on earth there are 200 million insects That's the equivalent of 400 lbs. of insects per acer of land. I want my insects to be very flat and not very detailed in
the since that all my cut outs feel like shadows, but once the viewer approaches
them, they can see that they are all separate entities. I would also like to incorporate sound, as well as
some sweet or putrid smells that would attract certain kinds of insects. If I were
to incorporate these smells, I would use flowers and carnivorous plants such as
the Venus fly trap or Corpse flowers.
The inspiration of this idea comes from Carlos Amorales’s piece
Black Cloud which has been continuously
growing since 2007. It started at 30,000 then grew to 45,000 black paper moths
in 2009. I think its effective how he chooses these very white pristine spaces
to install his moths on. It really makes each moth stand out and the simplicity
and lack of detail on the wings is interesting because it relies so much on
form to portray what is being seen.
Black Cloud 2009
Carlos Amorales
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He was born in Mexico
City, Mexico in 1970 and received his education in the two different academes
in the Netherlands. He was trained as a
painter but then realized he didn’t have much interest in painting. He now explores
varies types of media from painting to digital to performance art. He gets a
lot of his influence from his heritage and has “changed his name to Amorales meaning
‘without morals’. He did this because it portrays his work and makes him stand
out from his father who was a pioneer of conceptual art work in Mexico” (Freize).
Many of his piece and ideas come from explaining language through different
means of art work. Other pieces of his are Life in the Folds 2017, La Langue des
Morts(Language of the Dead) 2012, and Amorales
vs Amorales 1997.
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